Wednesday, June 25, 2014

The EDM industry is worth how much?!?!

ON JUNE 24, 2014, 12:30PM
If you’re inclined to believe rap videosand Forbes lists, then emcees may be the most financially well-off musicians in the world. But whereas Dr. Dre stands as the lone hip-hop billionaire(perhaps until Jay Z’s soda line hits shelves nationwide), there’s another musical force that’s a fiscal heavyweight in its own right: EDM.
With countless EDM and electronic music festivals taking place across the globe, DJs achieving massive popularity both on the chartsand streaming services, and deadmau5 driving tricked-out Ferrari’s, it’s fairly easy to see that EDM is both a cultural and economic juggernaut. But just how much power and influence does the scene have exactly? Try $6.2 billion worth.
According to a recent report issued by the International Music Summit (viaBillboard), that staggering amount is how much the entire global EDM industry is valued at. That includes revenue generated from festivals ($1.03 billion); worldwide club dates ($2.4 billion); streaming/video services ($600 million); Soundcloud streams ($140 million); and the sale of DJ software and hardware ($360 million).
The IMS report also indicates that EDM was the only musical genre to post year-over-year sales gains in 2013. In addition, the top 10 DJs on Forbes’ 2013 Electronic Cash Kings list pulled in a combined $225 million, effectively doubling the earnings posted back in 2010. (Check out a more detailed breakdown below.)
So, the question begs: how do EDM’s counterparts fair? Well, for comparison,last year’s 10 highest-earning musicians pulled in a combined $216,569,875, $10 million less than EDM’s top 10. That means that acts like Madonna, Bruce Springsteen, and Roger Waters were out-earned by the Aviici’s, Zedd’s, and David Guetta’s of the world. No doubt helping the EDM community is a reliance on revenue streams outside the norm. Whereas EDM earned a collective $140 million from Soundcloud, YouTube phenomenon PSY earned just $870,000 from his 1 billion hits. Oh, and if you were wondering, the five wealthiest rappers are valued at a collective $2.07 billion.
As impressive as the $6.2 billion price tag is, some industry insiders think that figure is slightly conservative. During last week’s annual EDMbiz conference in Las Vegas, Kraig Fox, a senior managing partner at the Guggenheim Partners investment firm, said EDM’s advertising potential is vastly unexplored. “The $6.2 billion may be what’s spent on tickets or clubs or drinking, but I view it as the millennial industry in general, and advertising toward that audience. You add that to that $6.2 billion and it’s something much bigger that you’re playing for.”
Of course, so much of the revenue-generating power lies in the makeup of the industry’s core audience. According to EDMbiz, EDM fans are “predominantly millennial, under-25-year-olds who are 50% more likely to buy energy drinks and over-index in their ability to set trends than any other age group.” In addition, they live outside rural areas like New York and Miami; for instance, the sixth largest EDM market is in Asheville, NC, which is a higher index than even Chicago and Los Angeles. The top five is rounded out by Boston, the Bay Area, San Diego, and Denver.

Friday, June 13, 2014

#HappyFridaythe13th from @McCloyDJAgency!!!

#HappyFriday peeps!
Please can you go and #FollowFriday on #Twitter

@McCloyDJAgency 's

@DJ_BELLA_  #GrooveLondon #Ukpressure
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#Worldwide #DJ #Agency

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Have a fantastic weekend and enjoy ! <3

Wednesday, June 11, 2014

#Checkout CORNERED (Music Event)


Sat 12th July 2014
@ Electric Brixton.
Town Hall Parade, London, SW2 1RJ.
Time: 10pm - late

Him_Self_Her (Crosstown Rebels)
Death on the Balcony (Culprit)
Mark Jenkyns (Hot Creations)
Tainted Soul (Cuff)
Matt Fear (Hot Waves) 
Majesty (Audiowhore)
Shenin Amara & AR (The Asylum)
Scholar Tee (Se7en)
JClarke (Love House)
Antonio Funk (SoH)
Glassbarriers (Cornered)

Limited £12.50 on RA > 
http://bit.ly/C0714r

#DeepHouse Mix> http://bit.ly/C0714pm1

More Info: @corneredevents / 07599908709/ bb: 7C4540AF

#Corneredevents
#DeepHouse #Cuff #Culprit #HotCreations #HotWaves #CrosstownRebels

*Limited offer*
Free entry before 12.30 if your born between 7th to 18th July. 
Please send your name and number to: 
Corneredevents@hotmail.co.uk
(ID is required as proof)

Monday, June 9, 2014

Saturday, June 7, 2014

A message from our Founder, Sarah McCloy

Please #Followback @djmickystar #Twitter & find him on here under @djmickystarlewis #CheckOutHisShow on #Sundays on @riseondemand #LoveHouseMusic Time to #LockIn 11am-1pm #GMT Thank youuu! #DJ #MickyStar #Signed to #McCloyDJAgency #Email mccloypromotions6@gmail.com for #Bookings or #Enquiries 😉

Friday, June 6, 2014

#Checkitout @HomeLDN

Please #FF @HomeLDN on #Instagram & #Twitter Search for Home London on #FacebookEvery #Sunday #Night 10.30-5am #DJNG #FactoryAfterParty#JackMensah #HomeLDN#MaxVanMorrison #CSWS#DonMajor #WiredAfterParty#Catch44 #CapitalXtra#Ladies #FREE B4 12#Gents £10 B4 2am#Members £5 ID A MUST#ClubNo6566 Albert Embankment#Vauxhall#London SE17TP#ComePartyWithUs#BangingDeepHouse#BigItUp ! 😉

Tuesday, June 3, 2014

#Checkout Cash Fargo!!!

Paul the Bong here, aka Buddha Paul aka @Madmonkey74, and I got a slamming DJ with his newest track!! Give it a listen!!!


All DJ’s Receiving Secret Mixing Instructions Through Headphones During Sets



 Stu

 

 March 13, 2014

 
It has been sensationally revealed to Wunderground that all DJs are secretly receiving instructions through their headphones while they’re mixing.

Our source claims that a team of highly trained sound engineers in a secret underground bunker relay instructions through the headphones which tell the DJs exactly what to do at all times during their sets.

“No-one is actually a DJ,” explained whistle blower Ben Yorke, who claims he was recruited straight out a Music Technology course to work as a ‘puppeteer’ for some of the world’s most well known DJs like Maya Jane Coles, seen here receiving instructions to ‘twiddle the knobs a bit’. “There’s always someone like me on the other end of the headphone telling the DJ exactly what to do and when to do it.”

“Have you ever noticed when you hear a mistake during a set that the DJ will panic and quickly put an ear to the headphone?” continued Ben. “That’s them quickly getting instructions on how to fix the mistake.”

Ben explained that a typical set for him involves talking the DJ through how to use the mixing desk and reaffirming a promise of riches and fame if they “stay onside” with the conspiracy. “I’ll talk to the DJ once they put the headphones on and, like air traffic control, I’ll guide them safely through the set.”

“I might say something like speed up track 1 or adjust the bass,” explained Ben. “Or I’ll say do a fist bump here, adjust the mid on track 2, things like that.”

Ben said that things have rammed up in recent years to the point where puppeteers like him are telling DJs to interact with the crowd. “I actually invented the heart-hands gesture back in 05. I was guiding Armin Van Buuren through a set in New York when we first used it,” he explained.

“I always thought it was a bit gay, but I just wanted to see if he’d do it because I was quite bored with the set,” claimed Ben. “You’ll usually see DJs doing it because they’re playing quite boring EDM stuff and the puppeteer at the other end of the headphones has decided to just muck about by making them do stupid stuff like heart hands or blow kisses.”

“DJs are just pretty faces that a shadowy international conglomerate of dance music industry heads uses as stooges,” continued Ben who claims he is now in fear for his life. “They do it to keep dance music sounding the way they want it, the way that makes them money. If DJs started playing different genres or doing unsanctioned reggae mixes then those at the top wouldn’t be able to control everything.”

A terrified Ben said he doesn’t know who exactly is behind the conspiracy as he’s only ever met other puppeteers like himself who all used codenames and were contacted through a handler whose identity was also hidden, but that he suspects all the big companies are involved.

“This goes all the way to the top,” he cried. “Beatport, SFX, Native Instruments, they’re all in on it! They control all dance music and want to keep it that way by controlling what DJs play. The world needs to know!”

Ben says that he wants to blow the lid on it because he’s “become bored with dance music” and also because he feels that the shadow masters are starting to control too much of DJs lives, detailing how “all DJs who don’t use headphones have forgone independent thought and have had a microchip embedded into their heads that allows for a constant relay of instructions to be delivered to them about how to carry him or herself through every aspect of their lives.”

Before Ben had to be whisked to a safe house at an undisclosed location he warned all up and coming DJs to be extremely careful of what headphones they use and to play what they want to play, not what they’re told to.